by Gabriel Valdez
Robert Heinlein’s “–All You Zombies–” has long been considered one of the most impossible short stories to adapt into film. To reveal why would be to give the twist at the heart of the story away. Even to say that is to pretend its twist is a gimmick, instead of the very pulse that drives the film.
“–All You Zombies–” was the seminal time travel story in science fiction for decades. It was decked in controversy and a “who cares” attitude. It was the defining moment in Heinlein changing sci-fi from mere adventure tales into questions that uncomfortably probe the nature of how we’re built as a society, the judgments we adhere to simply through habit.
“Predestination” counts alongside “Gattaca” not just as the most important films Ethan Hawke has starred in during his career, but as films that exemplify what science-fiction is at its very best. And though Hawke’s performance is varied and exceptional, it’s Sarah Snook who stands out as remarkable. Again, to delve into it too deeply would be to ruin something special.
“Predestination” isn’t some small film that came out of nowhere either. The Australian Film Institute awards are the equivalent of the United States’ Oscars. “Predestination” was nominated for nine, winning four of them.
I’d highly recommend searching it out. It’s not hard to find via streaming or renting, and the film’s rhythm and mystery are second to none. This is the greatest mindbender of last year.