Tag Archives: New Zealand film

New Shows + Movies by Women — December 10, 2021

The first series up this week is a pandemic-driven dark comedy from New Zealand. It brings up an interesting conversation when it comes to genre. Shows about pandemics are hardly new. Hits from “The Last Ship” and “12 Monkeys” to more procedural takes like “The Hot Zone” and “Helix” have dominated the last decade. Hell, even “The Strain” kept on straining for four seasons.

Yet during COVID, shows like “The Stand” and “Y: The Last Man” have not lived up to expectations in terms of either viewership or quality. Now, both were in substantial development before COVID hit, so it may not be a case of platforms thinking this is a topical moment. That’s reserved for tackling ill-advised pursuits like “Love in the Time of Corona”. What it does show us is that the fascination with pandemic-driven fare may have waned. After all, it’s no longer escapism for many.

Where does a dark comedy from New Zealand that features pretty explicit imagery of a pandemic and a similar premise to “Y: The Last Man” land? I couldn’t say, but it is one that I have some hope for – in part due to the involvement of Roseanne Liang, director of this year’s massively underrated “Shadow in the Cloud”. The film’s an ambitious period thriller that veers from tight “Twilight Zone” storytelling into absurd pulp action and makes astonishing use of a relatively small budget. If one person can fuse the starkness of a pandemic to a dark, gender-driven comedy, it’s Liang.

Ultimately, interest in pandemic-driven stories is going to be up to the viewer. Some may not want to be reminded in their escapism, while others will see making comedy out of it as a way of reclaiming a sense of control within their escapism. Neither takeaway is right or wrong; just be sure to respect your own reaction about whether watching pandemic-driven stories feels stressful or relieving.

NEW SERIES

CW: pandemic imagery

Creamerie (Hulu)
directed by Roseanne Liang

A plague has killed nearly all men on the planet. The remaining 1% of men are sent to a facility in New Zealand. It’s thought that even they died, until three dairy farmers run over a seemingly impossible survivor.

“Creamerie” is created by actress-producers J.J. Fong and Perlina Lau, and producer-director Roseanne Liang. As mentioned, Liang delivered “Shadow in the Cloud”, which may not be for everybody but is one of my favorite films of the year.

You can watch all six half-hour episodes of “Creamerie” on Hulu.

Under the Vines (Acorn TV)
showrunner Erin White

A man and woman who hate each other inherit a failing vineyard in rural New Zealand. Neither knows a thing about how to run or work a vineyard, so of course they make a go of it.

Erin White is a longtime director in New Zealand and Australian TV.

You can watch the first two of six episodes of “Under the Vines” on Acorn TV, with a new weekly episode dropping every Monday.

NEW MOVIES

The Unforgivable (Netflix)
directed by Nora Fingscheidt

Sandra Bullock plays Ruth. She’s being released from prison after a 20-year sentence for killing a cop. Very few people are willing to give her a chance or forget her past, even as she searches for the little sister she may have been protecting.

In addition to Bullock, Viola Davis, Vincent D’Onofrio, Jon Bernthal, and Rob Morgan also star.

Director Nora Fingscheidt helmed the incredible “System Crasher”, an unflinching yet sympathetic portrayal of a girl with rage issues. It was one of the best films of 2020.

You can watch “The Unforgivable” on Netflix.

Off the Rails (VOD)
directed by Jules Williamson

Three women in their 50s bring the daughter of their late friend on a European rail trip. Things go “Off the Rails” in a series of comedic accidents, with a bit of romance sprinkled in.

This is the first feature film from director Jules Williamson.

See where to rent “Off the Rails”.

Anonymously Yours (Netflix)
directed by Maria Torres

In this Mexican romantic comedy, a mistaken text message between classmates leads to a real friendship. The pair fall for each other without realizing they’ve already met and can’t stand each other. I can’t find a trailer with English translation online, but the film will have one available.

This is the first film directed by Maria Torres.

You can watch “Anonymously Yours” on Netflix.

CW: NSFW, body horror

Two (Netflix)
directed by Mar Targarona

This Spanish horror film finds a man and a woman waking up next to each other and realizing their abdomens have been attached.

Director Mar Targarona helmed “Secuestro” and “The Photographer of Mathausen”.

You can watch “Two” on Netflix.

Take a look at new shows + movies by women from past weeks.

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Special Edition Trailers of the Week — Aussie Rules

by Gabriel Valdez

There were a few fantastic trailers from Australia and New Zealand this week that I didn’t want to get lost in our regular edition, especially because this next film just became my most anticipated:

PREDESTINATION
Trailer #2

Here’s the thing about Predestination. It’s based on a Robert Heinlein short story about a time traveler who descends from himself…by impregnating himself before a sex change.

The trailer doesn’t breathe a word of this, but if you know the material, you can see it strongly hinted. Perhaps the film just uses the Heinlein name and the time travel concept. Even if that’s true, it still looks like a visually arresting thriller.

BUT! And this might be the biggest “but” in film history – if it addresses Heinlein’s concept in any way (and I wouldn’t put it past Ethan Hawke to tackle it), we are in for a hell of an ambitious film.

Heinlein’s short story “All You Zombies” is a stunning mindbender about a man who creates his entire lineage using temporal paradoxes. In the time it was written, it was an important and challenging metaphor for the struggles of the transgendered, and made readers feel real emotion for a character they might have ridiculed were he a real person standing before them.

Predestination might just be a time travel noir using the barest framework of Heinlein’s story. But if it’s not…oh boy, if it’s not, if it’s true to Heinlein, it’s one of the most difficult – and potentially most important – film adaptations ever tackled.

THE DEAD LANDS
Trailer #1

I’m a big fan of action films about indigenous peoples, because you know what? Indigenous peoples had action franchises, too. Occasionally, a film like this is exploitative, but a surprising amount of the time there’s a real passion and dedication that goes into presenting these societies in detail, and proudly.

The Dead Lands is being produced by the same group that financed Indonesia’s two The Raid movies – the best action franchise of the past decade – and they have a habit of trusting their talent and giving them the means to try out crazy ideas more traditional studios wouldn’t go near.

This means a lot in the countries of Oceania, where there isn’t exactly a lot of money for original filmmaking in the first place. Needless to say, I’m eagerly anticipating a stylish New Zealand action movie that – hopefully – is both respectful and revealing of Maori storytelling culture. After all, we get to hear stories from the perspectives of indigenous peoples far too rarely.

THE MULE
Trailer #1

A movie about how long it takes a man to go to the bathroom. Wait, wait! It’s more complicated. You see, he has drugs in his stomach, he’s being detained by the authorities led by Hugo Weaving (The Matrix, Captain America), and he’s being stalked by the drug dealer he’s late in meeting, played by John Noble (Fringe, Sleepy Hollow). He’s cooped up in a small, Melbourne hotel room while a legal aide tries to get him free and his family turns increasingly dramatic.

It looks like a blistering, uncomfortable comedy with some truly intense moments to it, the kinds of comedies Australia does with a brutal sense of just how to make you laugh out of discomfort.

That’s our special Down Under roundup this week. By the way, if you’re looking for more news and reviews on Australian film, I highly recommend my own go-to source, Jordan and Eddie. They’re two young Australian critics who are fantastic reads.