by Gabriel Valdez
Keep your sparkling vampires. I’ll take my Eastern European goth ninjas any day of the week. It’s hard to rank this fight – it looks great and many of the short combination sequences are beautifully laid out, but it’s bookended by lovably atrocious 2002 CGI and interspersed with some of the most useless choreography put to film.
As in many of director Guillermo Del Toro’s action movies, there’s about four parts meaningless flourish, one part effective move, but you know what? These movies usually concern immortal supernatural beings hacking away at each other. Who am I to question their flourishy martial arts? Most of written mythology is more concerned with boasting, too.
It’s fun to watch, and that’s what matters. Just don’t try to count the number of openings missed, and never try catching a sword blade between your shins like Blade does.
Del Toro initially wanted nothing to do with the sequel to Stephen Norrington’s first Blade, but – as Del Toro details in his collection of behind-the-scenes material Cabinet of Curiosities:
“I mean, literally, my agent at the time called me and said, ‘Do you want to make Blade II?’ And I said, ‘No, I don’t want to do Blade II.’ And he said, ‘Do you ever want to do Hellboy?’ And I said, ‘Yes.’ ‘Well, if you want to do Hellboy, you gotta do Blade II, because no one’s going to hire you to do Hellboy based on Mimic or Cronos.’ And he was absolutely right.”
This was also fresh off a spectacularly failed pitch for I Am Legend. The long-in-gestation remake had Arnold Schwarzenegger attached at the time. Del Toro was a long-shot to direct and he was fairly certain he lost any consideration when he told producers that Schwarzenegger was completely wrong for the project. That movie wouldn’t end up getting off the ground until 2007, and was eventually directed by current Hunger Games helmer Francis Lawrence and starred Will Smith.
Del Toro would eventually direct Blade II – the high point for the franchise – with a unique attitude. Anything having to do with the character Blade, he left to Snipes. Del Toro wouldn’t mess with anything Snipes wanted to try; he would just stay out of the actor’s way. Everything else was Del Toro’s domain, which explains the lightproof, leather-and-lycra steampunk costumes with adjustable goggles and an inventive, demonesque take on a new supervampire. Now, go enjoy yourself some 2002 CGI.