Tag Archives: Craig Ferguson

Replacing Jon Stewart — Some Better Choices, and the Obvious Best One

Jeff Goldblum

by Gabriel Valdez

Let’s get this out of the way first: NOT Brian Williams. In the wake of Jon Stewart’s announcement that he’s leaving The Daily Show later this year (most likely to become a full-time director), some voices across the internet have trolled the zeitgeist by suggesting Williams. Instead of getting the “fake news” joke, others have echoed the suggestion. No. Let’s put a stop to this right here.

Regardless of his fictional story about being shot at and his 6-month suspension from NBC News, do you want to hear every joke delivered in the same deadpan, aren’t-I-clever rhythm over and over again? Neither do I. Williams works in brief snippets, or even when leading a serious news show (at least when he doesn’t insert himself into the story). He would be a disaster at leading a nightly comedy series.

Let’s also keep John Oliver where he is. HBO is a better format for him, allowing him to condense one week into a single show that he can swear a blue streak across. Last Week Tonight is the best format for Oliver. We’ve seen him host The Daily Show for an extended period of time before and he’s good at it, but he’s great in HBO’s looser format. Why lose that for a distillation of Oliver? It’s a pipe dream anyway, since I’m sure HBO wouldn’t let him out of that contract anytime soon.

So who do I think are the best options to replace Jon Stewart?

Jessica Williams Daily Show


This choice is so obvious, I can’t dream that Comedy Central could recognize it in a million years. Like Stewart, she rarely plays a character, coming across as more of a genuine comedian than an actor-comedian. The Daily Show correspondents who rely on characters more often – Jason Jones, Kristen Schaal, Samantha Bee, John Hodgman – use those characters to excel in investigative and interview segments, but they aren’t as well-suited to host an entire show.

Ringleaders can’t rely on being one-note comedic foils. Even Stephen Colbert on The Colbert Report needed to infuse his conservative character with enough of himself to step outside and around that character on a regular basis. He needed to make fun of himself as often as he did the character he played or the news he lampooned.

I have no doubt in my mind that Jessica Williams is dynamic enough to do this. She also seems to have more of a vision for where she wants her comedy to take us and what she wants it to speak about, and that’s needed to manage the creative direction of a show. To step into the shoes of Jon Stewart and do more than hold the fort for a few months, you have to be pointed and decisive about where the show’s heading. That has Jessica Williams written all over it.

She is the best choice. Period. End of story. Sign the petition.

But in case you want some other options:

Craig Ferguson Late Late Show


Give Craig Ferguson the show he’s always wanted. It seems like bad form to dig through other people’s discards, but Ferguson has been the most interesting late night personality on network television for years now. CBS just never “got” his brand of humor.

Ferguson often lamented on the The Late Late Show that his ideal format would simply be to sit down with a personality and discuss for the entire length of a show anything at all that came up. CBS allowed him to do this exactly once. Ferguson chose Stephen Fry and the ensuing discussion ranged from hilarity to a frank conversation about dealing with depression. It was fascinating – perhaps not always funny, but neither is The Daily Show. It was relevant, and that relevancy is what Jon Stewart takes with him. Funny is easy to get on Comedy Central. Relevancy isn’t.

Ferguson is wacky, but he’s deceptively capable – he won a Peabody for his Desmond Tutu interview. He also connects emotionally in a way no other late night host can – he once opened his show with a 10 minute, tearjerking monologue about when he was an addict and considered killing himself. He knows how to disarm a guest and an audience, and he doesn’t follow late night conventions. For my money, he would be the most interesting choice, the biggest chance with the biggest payoff.

Bassem Youssef


Known as the Egyptian Jon Stewart, he was such a thorn in his government’s side that he was arrested for insulting Islam and President Morsi. His comedy relies on strengths that Stewart’s doesn’t, which is what you really want in a replacement: he’ll charm his way through a segment where Stewart would play at bumbling or being surprised by a revelation. There’s a little more nodding and winking to Youssef.

Youssef also brings a different life experience: he’s a cardiothoracic surgeon who served as a field medic for wounded protesters during the 2011 revolution. You might say he’s more familiar with Middle Eastern politics than American ones, but he’s certainly far more qualified on both than Stewart was when he first took over The Daily Show.

Glenn Beck


I’m just seeing if you’re paying attention.

Sarah Silverman


Honestly, this would be the best single way to maintain the format of The Daily Show exactly how it is while infusing it with a completely different voice and set of priorities. The writers, producers, and supporting cast there are good enough to train someone on the job when it comes to the political side of The Daily Show. Hell, that could even be the running bit: Silverman as an opinionated neophyte playing an analogue for the audience when it comes to learning about corporate political issues.

This would end up being more of an ensemble piece, at least at first, but a top-notch late night ensemble is the one thing The Daily Show already boasts that no other late night show can.

Russell Brand


Brand hardly needs the money or exposure. In fact, The Daily Show would almost certainly be a pay downgrade for him. It would give him, however, what he’s sought most in recent years – a ready-made platform to take down a poisonous news media atmosphere from equal footing.

What shape would the show take? Who knows? Could Brand be relied upon for years on end? You’ve got me. But it’s a chance that might be worth taking, and the upside could be huge.

Patton Oswalt


Comedy’s nerd-in-residence might not be as equipped to tackle politics and corporate America, but he’s a quick study and he’s already well-schooled in every single weird cultural nuance America now enjoys. He’s a quick wit, though I don’t know if he has the ego or vision to master The Daily Show. He’s essentially the best hold-the-fort candidate, a direction I don’t think Comedy Central should go. If they do, though, Oswalt’s the one to make it work.


OK, just kidding.


Still kiddi- actually, I’d watch the hell out of that.

Olivia Munn


This is the most out-of-left-field suggestion. I get that a lot of people won’t agree with it, but I think she’s most capable of finding new humor by transitioning The Daily Show into something even more serious. Why take a comedy show and make it more serious? That’s what a lot of people asked about Jon Stewart way back when.

I know the tendency is to dismiss her and guess that she only ever got a Daily Show gig in the first place because of her looks, but this argument tends to ignore much of her resume.

Irin Carmon’s famous Jezebel takedown – that questioned Munn’s credentials and insisted she was a sex symbol and not a comedian, as if the two are mutually exclusive – ignored an obsessive work ethic that saw Munn essentially carry the G4 network on her back for years and years.

Come to think of it, Munn’s the only one on this list with a degree in journalism and she’s actually got more experience hosting a show than everyone else but Craig Ferguson.

Tina Fey 2


I can’t imagine this is the direction Fey wants to take her career. Hosting The Daily Show would take her away from her full-time role as a producer and writer while closing opportunities out to her as an actress.

So don’t bring her in as a host.

There are more roles that Jon Stewart plays on The Daily Show than hosting. Bring Fey in as a new producer. To create something bold and fresh, there’s no better behind-the-scenes voice to draft at this point than Fey.

Jeff Goldblum 3


Because: Jeff Goldblum. This would take the show in a more celebrity angle than political one, but it would be appointment viewing. He obviously loves working with Stewart’s operation, given that he’s appeared on Daily Show and Colbert Report bits countless times.

There are a host of other options – most notably Tig Notaro, but also Wyatt Cenac, Alec Baldwin (no), Chris Rock, Aisha Tyler, Norm Macdonald (he already bombed trying to riff it), Cameron Esposito, and so many others.

The gig is certainly going to be in high demand, and Comedy Central shouldn’t act out of desperation when choosing Jon Stewart’s replacement. They should go with someone challenging, someone they want, and not someone they feel they need.

Not Enough Good Words — “How to Train Your Dragon 2”

httyd sheep racing

I’m told by some older critics that we’re supposed to lead our readers for paragraphs on end about whether a movie is good or bad. I’m told we’re not supposed to use superlatives like “masterpiece.” Then I’m told, “Criticism’s a dying art.” Maybe it’s because we’re spending all our words building suspense over whether a movie’s good or not.

So let’s get this out of the way first and foremost: “How to Train Your Dragon 2” is good. Really good. One of the best American animated films good. I’d even call it a “masterpiece.”

That last paragraph is 35 words. That’s how quickly a critic can tell someone if a movie’s good, and I was being wordy. I’m much more concerned with why and how a movie’s good. In a film like “Dragon 2,” what does it communicate to your children? How does it reflect on our world?

“Dragon 2” picks up where the first “Dragon” left off, with a society of vikings having domesticated dragons they had once feared and fought. Everyone has one now, and dragon racing is the new sport. The pioneer of this new society, young Hiccup (voice of Jay Baruchel), is uncomfortable with the concept of becoming his village’s chief. He would rather explore the world beyond his village’s borders with his dragon Toothless.

httyd soaring

This is the only family film I can think of that centers on two amputee heroes – Toothless uses an artificial tail fin and Hiccup has a prosthetic leg. Toothless’s bond to Hiccup often reflects that of a service animal. In a country engaged in wars for the past 13 years, I applaud “Dragon 2” for including heroes like these. Instead of being stigmatized as too damaged, we can look up to them as we might any other role model.

The movie stresses acceptance in a number of ways – including dragons, previously feared as too different or threatening to the Viking way of life, has made Hiccup’s village of Berk stronger, more efficient, and happier.

As he maps the unknown world, Hiccup encounters dragon trappers. These men work for the warlord and dragon slaver Drago, but they are harassed by a mysterious stranger they refer to as the Dragon Thief. She frees as many dragons as she can. Hiccup will doubtlessly meet her, and she proves to be one of the strongest, most unique female characters I’ve seen in a cartoon. His introduction to her above the clouds is a haunting, otherworldly scene, the kind we don’t expect from cartoons but that can burn itself into our minds as an iconic moment in cinema.

httyd Dragon Thief

“Dragon 2” folds mythology of all kinds into its story and its visuals. There are epic battles aplenty, but there is loss, too. In contrast to many of our blockbuster films, loss in “Dragon 2” is permanent; there’s no “retcon” to take away its sting and – in true mythological fashion – it can come at the hands of your most trusted friend. Children can handle this; death used to be a staple of the fairy tales we told. Handled properly, it can create both an emotional moment and a lesson in growing up. Testing our reactions to the loss of loved ones in fiction is one of the many ways we eventually learn to cope with it in our real lives. It’s one of the most primal reasons we tell stories – these are crucial lessons that need to remain in our fiction.

And the visuals…there aren’t enough superlatives in the world. In 2-D or 3-D, this is a feast for the eyes. Visual consultant Roger Deakins, who boasts 11 Oscar nominations as a cinematographer for films including “Skyfall,” “True Grit,” and “The Shawshank Redemption,” plays with color and shadow in a way that makes you feel as if you’ve glimpsed past the pages of a true Norse epic while still maintaining a cartoon sensibility.

Writer-director Dean DeBlois has crafted something deeply special, an exciting adventure that shows us “less able” isn’t the most accurate term, that celebrates inclusiveness, that treasures the tools of peace over war, that shows the kids and reminds the adults in the audience how we grow up, that works as a cartoon, an epic, a comedy, and an art film all in one. So, yes, it’s a masterpiece, but I told you that at the beginning. Why it’s a masterpiece, how it’s a masterpiece, that’s what will make it stick in your mind, what makes it so worth talking about, so worth celebrating. “How to Train Your Dragon 2” is rated PG for action and humor.

httyd sea flight