Category Archives: New Films by Women

New Shows + Movies by Women — October 15, 2021

This is a phenomenal week for surprises. It includes a new psychological horror from one of the best directors out there, Claudia Llosa. It also features one of the best reviewed horror movies of the year, the latest in a recent surge of Welsh suspense. Nineties franchise “I Know What You Did Last Summer” gets re-adapted as a series. To top it all off, Kate Beckinsale goes against type in an ego-driven dark comedy. This is where we’ll start:


Guilty Party (Paramount+)
showrunner Rebecca Addelman

Kate Beckinsale stars as Beth, a discredited journalist. She tries to relaunch her career by ingratiating herself with a mother sentenced to life for murdering her husband. Beth is determined to prove herself relevant again- er, to prove the woman innocent.

Showrunner Rebecca Addelman has written and produced on “Dead to Me” and “Ghosted”.

You can watch “Guilty Party” on Paramount+, with new episodes premiering weekly.

I Know What You Did Last Summer (Amazon)
showrunner Sara Goodman

“I Know What You Did Last Summer” is a new adaptation of the Lois Duncan novel. It also saw a popular 1997 film adaptation. Five teens hit someone with their car on the night of their graduation. They hide the body. A year later, someone starts killing them one by one.

This is the first series showrun by Sara Goodman.

You can watch “I know What You Did Last Summer” on Amazon.

Build Divide #000000 Code Black (Crunchyroll)
directed by Komada Yuki

I really appreciate Japanese titling. From “Reborn as a Vending Machine, I Now Wander the Dungeon” to “Bofuri: I Don’t Want to Get Hurt, so I’ll Max Out My Defense”, and even “Melty Blood Actress Again Current Code”, they’re just so much braver than our surfeit of boring, old 1-3 word titles.

Anyway, in “Build Divide #000000 Code Black”, players in a trading card game attempt to defeat the king of Neo Kyoto. If they do, their wishes will be granted. (#000000 is the hex code in a spreadsheet for black, if you’re wondering what the connection is. I’m…still not sure that clarifies anything.)

Komada Yuki previously assistant directed “Mugen no Juunin: Immortal”.

“Build Divide #000000 Code Black” is simulcast as it airs in Japan, with new episodes every week. You can watch it on Crunchyroll.


Fever Dream (Netflix)
directed by Claudia Llosa

“Fever Dream” is an adaptation of Samanta Schweblin’s 2014 novel of the same name. It tells a surreal tale of horror inspired by environmental abuses in Argentina.

I named writer-director Claudia Llosa’s “The Milk of Sorrow” my best film of the 2010s. She is a brilliant visualist and patient storyteller. You could say her sense of empathy has infused her movies with elements of cultural horror (about misogyny and colonialism), but this looks like her first crack at a film that’s housed in the horror genre. The crew she’s gathered is a stunning group, including “Loki” composer Natalie Holt, “The Orphanage” cinematographer Oscar Faura, and “A Fantastic Woman” production designer Estefania Larrain.

You can watch “Fever Dream” on Netflix.

Censor (Hulu)
directed by Prano Bailey-Bond

Enid is a film censor. She’s strict, with a specialty for censoring moments of violence. When she’s tasked with reviewing a particular film, its details spur childhood memories about her sister’s unsolved disappearance. Enid sets to work investigating the film’s origins, even as fiction and reality increasingly blur.

This is the first feature from director and co-writer Prano Bailey-Bond. It also marks another well-reviewed Welsh horror entry centered on family bringing to light generations-old wrongs. Welsh horror is carving an extremely unique voice with independent-styled films that focus on characters who convey different realities based on privilege. These horror metaphors tend to center on gaslighting, often of women and often in relation to long-disappeared or dead family members.

I can’t help but notice the popularity of this theme, and wonder how much it might connect to a history of English abuses and cover-ups such as the culturally defining Aberfan disaster.

I featured “Censor” when you could rent it, but this is the first time it’s been on a streaming service. “Censor” now also appears on Hulu.

The Blazing World (VOD)
directed by Carlson Young

In this fairy tale horror, a woman returns to her childhood home. She’s stayed away since the accidental drowning of her twin sister. Yet as she returns, she finds access to an alternate world where her sister may survive. She’ll have to convince three demons to release her sister back into this world.

This is the first feature for director and co-writer Carlson Young.

See where to rent “The Blazing World”.

Moving On (MUBI)
directed by Yoon Dan-bi

In this Korean slice-of-life movie, two children move into their grandfather’s house for the summer. Their aunt soon follows, and the three generations work out how to live under the same roof.

This is the first film from writer-director Yoon Dan-bi.

You can watch “Moving On” on MUBI.

On the Fringe of Wild (VOD)
directed by Emma Catalfamo

The story of two young men falling in love in small-town Ontario is inspired by “Romeo and Juliet”.

This is the first feature-length film from director Emma Catalfamo.

See where to rent “On the Fringe of Wild”.

Take a look at new shows + movies by women from past weeks.

If you enjoy what you read on this site, subscribe to Gabriel Valdez’s Patreon. It helps with the time and resources to continue writing articles like this one.

New Shows + Movies by Women — October 8, 2021

When I research this feature every week, I end up seeing the scores every movie gets. I try not to look, but they’re just too prominent to ignore. One of this week’s new films is “Mayday”. The allegorical movie about women engaged in a war against men is getting tanked on IMDB. Why?

“Mayday” is getting hammered on its score for being “part white man bad”, a “childish game of misandry”, “misandrist fantasy” and my favorite: a “femalistic flop” because “theyve invented the new version of the atomic bomb, namely the #metoo threat that hangs over each and every man every hour, minute or second of the day”. But don’t worry, “the lead was pretty and on of the other brunets but that was it”. We got some real Eberts on our hands here.

The reason I bring this up is because sometimes a film that gets tanked like this on scoring sites is actually good. It’s not a guarantee, but when I see this kind of review brigading from other men, it’s often because it’s touched on a nerve in an accurate way. I covered this phenomenon in more detail on my review for Sophia Takal’s “Black Christmas” (which just returned to HBO Max in time for the holiday season).

A lot of hidden gems lose their audiences when they go to review sites, see a low score, and figure the movie must not be good. I haven’t seen “Mayday”. I can’t tell you how it is. This article is informational and a lot of the films come out the same day this feature does. What I can tell you is that I’ve been led to a lot of incisive, often-brilliant hidden gems when I see these kinds of reactions tanking a film’s score. Some are just OK, sure, but there are also a lot of very good films that get tanked and lose their audiences simply because they’re feminist. Seeing these kinds of reviews usually puts a movie at the top of my to-watch list.

Please don’t let review averages deter you from watching a film before you look more closely at the reason for their scores. Maybe “Mayday” isn’t your thing – hell, maybe it isn’t my thing – but a lot of films out there will be much better than the score belies.


Maid (Netflix)
showrunner Molly Smith Metzler

“Maid” is based on Stephanie Land’s 2019 memoir. It recounts the story of a single mother who leaves an abusive relationship. Alex balances intermittent, underpaid work as a house cleaner with caring for her daughter Maddy.

Showrunner Molly Smith Metzler has written and produced on “Shameless” and written on “Orange is the New Black” and “Casual”.

You can watch “Maid” on Netflix.


Mayday (VOD)
directed by Karen Cinorre

Ana is transported to a world that’s constantly at war. The women here are all soldiers fighting against men, but Ana can’t seem to fit in. Mia Goth and Grace Van Patten star.

This is the first feature from writer-director Karen Cinnore, who started out in set design and costume departments.

See where to rent “Mayday”.

Preparations to Be Together for an Unknown Period of Time (MUBI)
directed by Lili Horvat

Marta is a neurosurgeon. She falls in love in a whirlwind romance. She even leaves her career behind in the U.S. to move to Hungary. The only problem is when she meets her partner there, he says he’s never seen her before.

This is the second feature from Hungarian writer-director Lili Horvat after the well-received “The Wednesday Child”.

You can watch “Preparations to Be Together for an Unknown Period of Time” on MUBI.

Stop and Go (VOD)
co-directed by Mallory Everton

Two sisters set out on a road trip to rescue their grandmother from a nursing home where COVID has broken out.

Mallory Everton directs with Stephen Meek. This is her first feature.

See where to rent “Stop and Go”.

The Manor (Amazon)
directed by Axelle Carolyn

Barbara Hershey plays Judith, just moved into a nursing home. She slowly becomes convinced that an inexplicable force is picking off the residents one by one. No one will believe an elderly stroke survivor, though.

Writer-director Axelle Carolyn once wrote on the history of horror movies, and she’s since moved onto directing in series like “American Horror Story”, “Creepshow”, and “The Haunting of Bly Manor”. This is her second feature.

You can watch “The Manor” on Amazon.

Black as Night (Amazon)
directed by Maritte Lee Go

Vampires are preying upon the disenfranchised of New Orleans. A band of friends spends their summer hunting these vampires down.

This is the first feature from Maritte Lee Go, who also directed a segment of “Phobias”.

You can watch “Black as Night” on Amazon.

Bingo Hell (Amazon)
directed by Gigi Saul Guerrero

When their beloved bingo hall is sold to the devil, Lupita and her elderly friends refuse to see it gentrified. With a vengeance.

Director and co-writer Gigi Saul Guerrero is a Mexican-Canadian director who’s helmed films, anthology entries, and series.

You can watch “Bingo Hell” on Amazon.

What Breaks the Ice (VOD)
directed by Rebecca Eskreis

Two girls form a friendship in 1998, as their vision of their place in the world is impacted by the country’s obsession with the Monica Lewinsky scandal. When they’re invited to a rave, things go wrong and they have to defend themselves. Will the culture they live in ever believe their side of the story?

This is the first feature from writer-director Rebecca Eskreis. She got her start in production design.

You can rent “What Breaks the Ice” on Amazon, Apple TV, Google Play, Vudu, or YouTube.

Queenpins (Paramount+)
co-directed by Gita Pullapilly

Kristen Bell and Kirby Howell-Baptiste star as women who start a coupon fraud scam. Their operation grows faster than they can manage in this crime comedy.

Gita Pullapilly directs with Aron Gaudet as Team A + G. This is their second feature film.

You can watch “Queenpins” on Paramount Plus.

Witch Hunt (VOD)
directed by Elle Callahan

Witches and witchcraft have been made illegal in the United States. It’s up to one girl to ferry two witches to asylum in Mexico.

This is the second feature from writer-director Elle Callahan after 2018’s “Head Count”. She got her start as a sound mixer and editor.

See where to rent “Witch Hunt”.

Spring Blossom (VOD)
directed by Suzanne Lindon

A 16 year-old girl passes a theater one day. Bored with her friends, she engages an older man. She eventually becomes involved with him.

Suzanne Lindon writes, directs, and stars. She began writing the screenplay at 15 and filmed it at 20.

See where to rent “Spring Blossom”.

Take a look at new shows + movies by women from past weeks.

If you enjoy what you read on this site, subscribe to Gabriel Valdez’s Patreon. It helps with the time and resources to continue writing articles like this one.

New Shows + Movies by Women — September 24, 2021

We’re into the Fall TV season. That means it’s the one time of year that network series get a strong showing. September tends to be the one month where networks overtake streaming services in terms of narrative television.

Major event films tend to avoid the month. Of the last 10 non-pandemic years, September has had the weakest box office in seven of them. The only thing that saved the month in two of those years was the two parts of Stephen King’s “It”.

This doesn’t mean there aren’t good films out there. With event films outside of horror clearing out of September and early October, it’s usually a great time to find indie movies, genre experiments, and character-based dramas. That holds true this week with a number of new films out on video-on-demand.

As always, let’s start with series first:


Jaguar (Netflix)
co-showrunner Gema R. Neira

Isabel is a Holocaust survivor who settles in Spain. She takes it upon herself to track down escaped Nazis during the 1960s, but it turns out she’s not the only one.

Gema R. Neira created “Jaguar” with Ramon Campos, and the two showrun it together. She’s a veteran in Spanish TV, having written on nearly 40 series.

You can watch the first season of “Jaguar” on Netflix.

The Big Leap (Fox)
showrunner Liz Heldens

“The Big Leap” is a behind-the-scenes musical-comedy about reality competitions. In this case, dancers compete to be cast in a modern remake of “Swan Lake”.

Showrunner Liz Heldens has written and produced on “Friday Night Lights”, “Boston Public”, and “The Orville”.

You can watch “The Big Leap” on Fox, with new episodes weekly.

Our Kind of People (Fox)
showrunner Karin Gist

A single mom moves her family to a vineyard in an attempt to bolster her family name. Her plan involves becoming a part of an elite African American community in the area.

Showrunner Karin Gist has written and produced on “Revenge”, “Grey’s Anatomy”, and “Mixed-ish”.

You can watch “Our Kind of People” on Fox, with new episodes weekly.

NCIS: Hawai’i (CBS)
co-showrunner Jan Nash

As one “NCIS” falls, another rises. So it is written. With the closure of “NCIS: New Orleans”, CBS fills the gap with “NCIS: Hawai’i”. This time, Vanessa Lachey leads the cast investigating a never-ending supply of naval murders.

Jan Nash showruns with Christopher Silber. She’s previously written and produced on “NCIS: New Orleans”, “Without a Trace”, “Black Lightning” and “Rizzoli & Isles”.

You can watch “NCIS: Hawai’i” on CBS, with new episodes weekly.


Birds of Paradise (Amazon)
directed by Sarah Adina Smith

Two girls compete at an elite Parisian ballet academy. Their trust in each other, and sense of reality, will both be turned upside down.

Sarah Adina Smith has directed on “Legion”, “Hanna”, and “Looking for Alaska”. This is her first feature.

You can watch “Birds of Paradise” on Amazon.

East of the Mountains (VOD)
directed by S.J. Chiro

Tom Skerritt plays a retired surgeon who learns his cancer is terminal. He heads to his boyhood home in Eastern Washington to conclude his life, but he and his dog face an unexpected conflict once they get there. “East of the Mountains” is based on the David Guterson novel of the same name.

S.J. Chiro previously directed the well-received “Lane 1974”.

See where to rent “East of the Mountains”.

Through the Glass Darkly (VOD)
directed by Lauren Fash

A girl goes missing. The situation looks similar to the disappearance of Charlie’s daughter the year before. She attempts to find out if there’s a connection, frustrating police and locals who seem like they’re hiding a secret.

This is the first feature from writer-director Lauren Fash.

See where to rent “Through the Glass Darkly”.

Between Waves (VOD)
directed by Virginia Abramovich

A woman keeps glimpsing her missing partner. Eventually, she decides to search for him in an alternate dimension.

“Between Waves” is writer-director Virginia Abramovich’s first feature film.

See where to rent “Between Waves”.

Time is Up (VOD)
directed by Elisa Amoruso

Vivien suffers an accident, and tries to piece together what happened that night. Bella Thorne stars.

Elisa Amoruso has primarily directed Italian documentaries. “Time is Up” is her second narrative feature.

See where to rent “Time is Up”.

Take a look at new shows + movies by women from past weeks.

If you enjoy what you read on this site, subscribe to Gabriel Valdez’s Patreon. It helps with the time and resources to continue writing articles like this one.

New Shows + Movies by Women — September 17, 2021

Closing in on October means an influx of indie horror films. It also means the very beginning of a ramp-up toward awards contenders. Beyond this, it’s interesting to see what’s getting brought in from other countries. The pandemic meant a slowdown in production, and a more deliberate pace as things get back underway. In the effort to keep the rate of new series and movies steady, streaming services have increasingly brought in projects that they might not have just a few years ago.

Netflix has been particularly good when it comes to a few countries – their curation of Filipino, Nigerian, and South Korean projects didn’t start with the pandemic, but the slowdown seems to have made them a greater priority. In addition, Amazon and Netflix have invested in India’s filmmaking industry. A number of women writers and directors have been empowered by this, as India’s sometimes misogynistic production structures and laws mean half the talent is often skipped over. I wrote last month about new Indian laws and ‘enforcements’ that are attempting to crack down on and silence women filmmakers in the wake of streaming services picking up their projects.

This week is mostly English-language projects, and there are some good ones, but please don’t skip over what comes out of other countries. When I started this weekly feature, I thought about shoving anything with subtitles to the back of every list, knowing that some readers might skip over these. I decided not to because it shouldn’t be that way. Acting as if the projects from women in the U.S. and U.K. matter more than women from other countries would just be kicking the can down the road on misogyny, and my generation has seen how dangerous that is as we come across every issue those before us declined to handle. Why repeat that? Look at non-English projects. The less of these you’ve watched, the more great work is out there just waiting for you to see it. If you feel like shows are redundant and repeating, and all you watch is English-language projects, then the explanation should be obvious – you’re only seeing things from a narrow range of perspectives. Of course they’ll repeat.

There are shows from France, Japan, and Nigeria this week. Take a look at them. Consider the list of Indian shows and movies by women from last month – if there’s enough of an audience for them, streaming services will be more likely to buck India’s crackdown on women filmmakers and continue to fund their work. Streaming services organize films from other countries pretty well. Choose a place you’ve never seen a film from, and pick what looks interesting. Watching shows and movies doesn’t become repetitive if the places you’re picking from aren’t repetitive.


Y: The Last Man (Hulu)
showrunner Eliza Clark
directed by women

Based on the comic book series, “Y: The Last Man” posits a world where every mammal with a Y chromosome suddenly dies…with the exception of a single artist. This is Yorick, and he is chased by those wanting to protect him, experiment on him, and kill him.

Both the original comic and the series base this on chromosomes – so trans women with a Y chromosome and women with androgen insensitivity are part of this. Showrunner Eliza Clark has been specific in saying what sets Yorick apart isn’t his maleness, as other men also survive. What sets him apart is simply that Y chromosome. There are updates that need to be made to the comic series – it started 20 years ago, and cultural and scientific knowledge has improved since then. The series looks promising in terms of including trans creative talent, with actor Elliot Fletcher in a role, and Hugo Award-winning writer Charlie Jane Anders in the writers room.

Showrunner Eliza Clark is a playwright and actress. All the directors on the show are women.

You can watch “Y: The Last Man” on Hulu, with new episodes weekly.

The Heike Story (Funimation)
directed by Naoko Yamada

Biwa is a blind girl with the ability to see the future. She travels as a musician to make her living. When she meets the patriarch of a powerful clan, she offers him a prophecy of bloodshed and war. The series is based on a 13th century epic about the rise and fall of the Taira clan.

Director Naoko Yamada has directed series including “K-on!” and films such as “A Silent Voice”.

You can watch “The Heike Story” on Funimation, with new episodes weekly.

Smart Money Woman (Netflix)
directed by Bunmi Ajakaiye

Zuri is living a life she can’t afford. Her four best friends each have their own problems, but they’re able to help her figure out her life step by step.

“Smart Money Woman” comes from Nigeria and is directed by Bunmi Ajakaiye. She’s a well known photographer, writer, and director who’s helmed two films and now her second series.

You can watch “Smart Money Woman” on Netflix.

Cheyenne & Lola (Sundance Now)
showrunner Virginie Brac

Lola murders the wife of the man she’s sleeping with. Ex-convict Cheyenne witnesses it, and believes she’ll be the one blamed. The two pair up to hide the crime. The series is subtitled; there just isn’t a subtitled trailer available.

Creator, showrunner, and writer Virginie Brac is a prolific French TV writer.

You can watch “Cheyenne & Lola” on Sundance Now.


CW: sexual assault

What She Said (VOD)
directed by Amy Northup

Sam decides she’s going to drop the charges against her rapist. Her friends and siblings stage an intervention at Thanksgiving.

This is the first film from director Amy Northup, an intimacy coordinator who runs classes on consent practices for filmmakers. On her website, Northup discusses, “the same way that we have prioritized the safety of our teams in violent scenes with stunt choreographers, it’s time to normalize the safety, boundaries, and consent of everyone involved in the making of intimate scenes”.

See where to rent “What She Said”.

CW: involuntary commitment

The Mad Women’s Ball (Amazon)
directed by Melanie Laurent

A woman is forcibly institutionalized in a Paris asylum. She plans her escape with the aid of an employee there.

Director, co-writer, and star Melanie Laurent is probably most familiar to U.S. audiences as the vengeful survivor Shosanna in “Inglourious Basterds”. She’s had an extensive career acting in both French and U.S. film. “The Mad Women’s Ball” is her fifth film as director.

You can watch “The Mad Women’s Ball” (listed as “Le Bal des Folles”) on Amazon.

Best Sellers (VOD)
directed by Lina Roessler

Aubrey Plaza and Michael Caine star as a young publisher and the author she coaxes out of retirement. The polar opposites invite disaster as they mount a publicity tour for a man who resents the public. Cary Elwes also stars.

This is director Lina Roessler’s first feature. As an actress, she’s starred in “Lost Girl” and Canadian staple “Murdoch Mysteries” (aka “The Artful Detective”).

See where to rent “Best Sellers”.

CW: stalking, suicide

#Like (Shudder)
directed by Sarah Pirozek

Rosie discovers the man who bullied and harassed her sister into suicide a year earlier is still seeking new victims online. She decides to take revenge into her own hands.

This is the first narrative feature from writer-director Sarah Pirozek.

You can watch “#Like” on Shudder.

Giddy Stratospheres (VOD)
directed by Laura Jean Marsh

Life happens chaotically in the UK indie music scene of the 2000s.

This is the first feature for writer-director Laura Jean Marsh, who also stars in the film.

See where to rent “Giddy Stratospheres”.

Bad Candy (VOD)
co-directed by Desiree Connell

A range of local urban legends are recounted by two Radio DJs on Halloween in a campy horror film.

Desiree Connell directs with Scott B. Hansen. This is her first film as director.

See where to rent “Bad Candy”.

Take a look at new shows + movies by women from past weeks.

If you like what you read on this site, consider subscribing to Gabriel Valdez’s Patreon. It helps with the time and resources to continue writing articles like this one.

New Shows + Movies by Women — September 10, 2021

There are new series on Disney+, Netflix, and Amazon, but the new movies this week are on more niche platforms like MUBI and Shudder. I’d urge everyone to take a look at these smaller streaming services. MUBI features a great curated selection of independent, classic, and foreign films. It’s this last category where they bring in movies that you really don’t get a chance to see anywhere else. It’s still not easy in the U.S. to see the low-budget, independent, or experimental movies from other countries that push cinema as a whole forward.

Shudder picks up a lot of low-to-mid budget horror movies, but competes for these with streaming services that know there’s a solid audience for them. They can’t outbid a Netflix or Hulu for these, so their newer films can be a mix. What I’d really recommend them for is a selection of classic horror films that show the evolution of the genre spanning across decades.

There are also great options that aren’t featured this week. OVID TV has become one of the best and most interesting platforms for featuring documentaries made in recent years.

Most of these are relatively inexpensive, too. MUBI runs $11 a month, OVID is $7, Shudder is just $6, and each has some version of a free trial.

I’d also like to highlight Kanopy. Kanopy is free through many universities and public libraries. If yours takes part in the service, all you need to watch is a university log-in or your library card. It includes many new and classic movies, the library of A24, a portion of the Criterion collection, the list goes on. They have a Directed by Women category that includes films as new as this year’s “Shiva Baby”, “Shadow in the Cloud”, and “Carmilla”, and films from recent years such as “The Assistant” (my pick for best film of 2020), “Portrait of a Lady on Fire”, “The Farewell”, “Clemency”, “Lady Bird”, and “A Girl Walks Home Alone at Night”. The service’s focus on film history means they also boast films like Larisa Shepitko’s Soviet-era “The Ascent”, Ida Lupino’s 1953 thriller “The Hitch-Hiker”, even Lotte Reiniger’s silhouette-animated films from the 1920s. It’s an amazing resource across the board, and because Kanopy is designed to be used for academic services, it’s incredibly well-organized.

Take a look at these other services, because that’s where you’ll find so much that’s glossed over or skipped entirely on the more popular ones.

OK, that’s enough of my spiel, let’s get to this week’s new series and movies by women:


Doogie Kamealoha, M.D. (Disney+)
showrunner Kourtney Kang

Lahela Kamealoha picks up the torch of Doogie Howser as a wunderkind starting her medical career while she’s still a child. The show takes place and is shot in Hawaii.

Showrunner Kourtney Kang has previously written and produced on “How I Met Your Mother” and “Fresh Off the Boat”, two of the best sitcoms of the last two decades.

You can watch “Doogie Kamealoha, M.D.” on Disney+.

On the Verge (Netflix)
showrunner Julie Delpy

Julie Delpy, Elisabeth Shue, Sarah Jones, and Alexia Landeau star as women facing midlife crises in L.A.

Showrunner Julie Delpy is best known as the star of the “Before Sunrise” trilogy opposite Ethan Hawke. She also became co-writer of the latter two in the series: “Before Sunset” and “Before Midnight”. Both earned Oscar nominations for their writing. Delpy has also written and directed a number of French, often multilingual films. This includes a nomination for France’s national film awards, the Cesars, for writing “2 Days in Paris”.

You can watch “On the Verge” on Netflix.

Pretty Hard Cases (Amazon)
showrunners Tassie Cameron, Sherry White

Competing detectives from two different departments team up in a buddy comedy. The series comes from Canada. It also features a rare live-action role for Tara Strong, whose voice you’ve probably heard if you’ve even glanced at an animated series in the last decade. (One of her most recent roles was as Miss Minutes in “Loki”.)

Tassie Cameron and Sherry White have produced a number of Canadian shows together.

You can watch “Pretty Hard Cases” on Amazon.


Martyrs Lane (Shudder)
directed by Ruth Platt

Leah is a girl who lives in a clergy house. Many are helped there throughout the day, but leave at night. That’s when she’s visited by a girl who appears to be an angel, but might not be all that she seems.

This is Ruth Platt’s third film as writer and director.

You can watch “Martyrs Lane” on Shudder.

Mama (MUBI)
directed by Li Dongmei

We see life in a rural Chinese village during the 1990s, recounted through the eyes of a 12-year-old. The film is a semi-autobiographical recounting of the last days of writer-director Li Dongmei’s mother.

This is her first film.

You can watch “Mama” on MUBI.

Fucking with Nobody (MUBI)
directed by Hannaleena Hauru

Hanna loses a filmmaking opportunity, so she begins a parody romance on Instagram. The Finnish film helps lead a recent trend in Scandinavian film of examining the falsities inherent in social media.

Hannaleena Hauru co-writes, directs, and stars. This is her second film in all three roles, after 2018’s “Metatitanic”.

You can watch “Fucking with Nobody” on MUBI.

Omo Ghetto: The Saga (Netflix)
co-directed by Funke Akindele

Leftty leads her group in a gangster comedy that became the highest grossing film in Nigerian history.

Funke Akindele co-directs and stars as Leftty. She won Africa’s continental award for Best Actress at the Africa Movie Academy Awards in 2009. This is her second time directing.

You can watch “Omo Ghetto: The Saga” on Netflix.

Take a look at new shows + movies by women from past weeks.

If you like what you read on this site, consider subscribing to Gabriel Valdez’s Patreon. It helps with the time and resources to continue writing articles like this one.

New Shows + Movies by Women — September 3, 2021

In the wake of Texas’s unconstitutional ban on abortion, I’d urge everyone to call their congresspeople and demand the codification of Roe v. Wade into law. This goes doubly for us men. This is too often seen as an issue for women alone to support, rather than as a human rights issue. Too many men who support the right to choose do so quietly – and while ours aren’t the voices that should lead the fight, we too often mistake that fact for the idea that we shouldn’t even participate in it.

Our leaders, such as they are, need to hear men’s voices being angry about this, too. Many of those leaders still treat cis men’s voices as mattering more than any others. That feeds into how we got to this point. It’s still an exception for men to raise our voices in support of the right to choose.

We don’t have to imagine ourselves leading a fight in order to vocally make clear that we support that fight. Women need us to raise our voices in support of their rights, to add pressure on our congresspeople that cannot be added if we keep quiet. We either meet that expectation or we fail it, and if we as men can’t even meet the expectation of making a few phone calls to voice our support for the right to choose, then what the hell good are we in the first damn place?

There are many actions to take, but the point is, start taking one of them now. Don’t figure this is someone else’s fight to wage. Being an ally is not composed of opinion; it is composed of work.

Getting to this week’s movies (there are no new series):


Cinderella (Amazon)
directed by Kay Cannon

Camila Cabello stars as Cinderella in an updated, musical interpretation of the fairy tale. The cast for this is impressive: Idina Menzel joins as her evil stepmother, Billy Porter as the Fabulous Godmother, and Pierce Brosnan and Minnie Driver are the king and queen.

As a musical, it uses covers of pop songs. While not exactly the same territory, the trailer sparks of “Moulin Rouge” and the anachronism of “A Knight’s Tale”.

Writer-director Kay Cannon has previously directed the underrated “Blockers”. She also wrote and produced the “Pitch Perfect” series, as well as on “30 Rock”, “New Girl”, and “Girlboss”.

You can watch “Cinderella” on Amazon.

Worth (Netflix)
directed by Sara Colangelo

Michael Keaton plays Ken Feinberg, the attorney who led the September 11th Victim Compensation Fund. The fund had to calculate the monetary worth of individual lives lost in the attack. Stanley Tucci plays a community organizer fighting for victims’ rights.

Director Sara Colangelo previously helmed the disturbing Maggie Gyllenhaal vehicle “The Kindergarten Teacher”.

You can watch “Worth” on Netflix.

Take a look at new shows + movies by women from past weeks.

If you like what you read on this site, consider subscribing to Gabriel Valdez’s Patreon. It helps with the time and resources to continue writing articles like this one.

New Shows + Movies by Women — August 27, 2021

One of the things I’ve been paying attention to lately is the content creation niche that’s dedicated to arguing why every project by women fails. I’m in a few “Star Trek” groups (shock) and one of the ‘analysts’ we regularly shake our heads at is Doomcock. Now first off, he should really get that checked out by a doctor. Secondly, he traffics in “inside rumors” and “sources” that he insists makes him a resource for prognosticating the future of shows.

He’s railed against newer “Star Trek” series by insisting they’ve turned their backs on the previous eras by focusing on inclusivity and diversity. Never mind the inclusivity and diversity of the entire canon. Hell, “The Next Generation” spent an episode discussing assisted suicide, followed up by an episode where Riker tries to save someone from conversion therapy. That was in 1992, the year before they launched a show where a Black commander, his best friend who’d changed genders, and a famed terrorist led “Deep Space Nine”. This was all unheard of in 90s TV; if anything, modern Trek could stand to push boundaries even more.

Where is this going? Doomcock (see a doctor!) and those like him rely on their “sources” to break news like “Star Trek: Discovery” getting canceled. It wasn’t; it would subsequently film its fourth season. His “sources” revealed that “Star Trek: Strange New Worlds” would never even get to filming. It finished filming its first season in July. Nearly every rumor is complete fabrication, nearly every source unreliable to an historic degree. And yet…people still tune in because it feeds the narrative they want to hear – one that says shows about women, that prioritize women, that are made by women, and that focus on inclusivity, diversity, and intersectionalism are all doomed to failure. It feeds the thinking that these are things that are unsustainable in our culture, instead of the reality that we keep renewing them and getting more of these shows because there’s such an audience and hunger for them.

One of the biggest narratives this cottage industry of hate has been pushing this year is the failure of “Black Widow”. Why, it’s a $200 million film that’s only made $180 million domestic! Forget the pandemic, forget that it’s made around 75% more on Disney+. (Disney’s own figures put its opening weekend at $60 million on Disney+, in addition to the $80 million it made in theaters).

“Black Widow” is a film directed by Cate Shortland, the Marvel Cinematic Universe’s second film centered on a woman protagonist and first directed solely by a woman (“Captain Marvel” was helmed by directing team Anna Boden and Ryan Fleck). It has to be a failure. They cannot fathom or allow it to be interpreted as successful.

The reality is that “Black Widow” stands as the highest earning movie at the box office this year at $180.6 million. “F9: The Fast Saga” is second at $172.6 million, and “A Quiet Place Part II” is third at $160.1 million. Nothing else crests $100 million.

“Black Widow” very likely made at least another $140 million via streaming, which would make it more profitable than any of the three “Thor” movies that have been released. People like Doomcock (at least get some ointment!) make excuses for similarly expensive movies led by men – they came out during a pandemic, they have same-day streaming releases – while calling the most watched and highest earning movie of the year a failure. It must be in order to fit their narrative.

This happens in a year where Kate Herron directed every episode of “Loki”, Kari Skogland directed every episode of “The Falcon and the Winter Soldier”, and Jac Schaeffer showran “WandaVision”, all three of them popular successes and media darlings.

We saw the same thing in 2020 with Cathy Yan’s “Birds of Prey”, the sixth highest earner all year, declared a failure. The results of films by men are given excuses, whereas films by women are held to a standard as if the pandemic isn’t even happening. Be in the top six and it’s a failure. Be the top performer and it’s a failure. Men get the contract to direct the sequel no matter how they perform. Women effectively get fired from the franchise. Leading a movie? Could you imagine Disney+ refusing to pay Chris Hemsworth? Meanwhile Scarlett Johansson has to sue to get half her pay in a film that outperformed all three of his.

On to this week:


King of Boys: The Return of the King (Netflix)
showrunner Kemi Adetiba

“King of Boys” was a 2018 Nigerian political thriller about power struggles and corruption. It centers on a woman, Alhaja Eniola Salami (played by Sola Sobowale). The TV series continuation “King of Boys: The Return of the King” sees Salami return after 5 years of exile in a ruthless attempt to seize power.

Kemi Adetiba created, wrote, and directed both the movie and this new, seven-part limited series. She’s won numerous awards within Nigeria’s music video industry.

You can watch “King of Boys: Return of the King” on Netflix.


Really Love (Netflix)
directed by Angel Kristi Williams

A Black painter tries to break through the art world in a rapidly gentrifying Washington, D.C. that’s less and less interested in Black art. He tries to balance this with his personal life, but he may not have the energy for both.

This is director and co-writer Angel Kristi Williams’s first feature film.

You can watch “Really Love” on Netflix.

Take a look at new shows + movies by women from past weeks.

If you like what you read on this site, consider subscribing to Gabriel Valdez’s Patreon. It helps with the time and resources to continue writing articles like this one.

New Shows + Movies by Women — August 20, 2021

It’s a good week for Netflix and HBO Max, with each seeing a pair of projects arrive. It’s particularly good to see Sandra Oh lead another series, and one that seems tailor built for her to shine. It’s astonishing that a comic actress of her caliber has seen so few leading roles, and she’s often talked about the difficulty Asian women have getting cast as leads.

Before we dive in, I’ll also highlight a short film. MUBI is now featuring the short film “Menarca”, where women learn from piranhas how to defend themselves from men. It’s directed by Brazilian filmmaker Lillah Halla.


The Chair (Netflix)
showrunner Amanda Peet

A scandalized university English department declares its next chair and intended scapegoat: their first woman of color in the position. Sandra Oh leads what looks like an exceptionally promising series.

Amanda Peet is the creator and showrunner of “The Chair”. Chances are you’ll recognize her work as an actress from “Dirty John”, “Brockmire”, “The Good Wife”, or “Studio 60”. This is her first work as a showrunner.

You can watch “The Chair” on Netflix.


Reminiscence (HBO Max)
directed by Lisa Joy

Nick is a detective who dives into people’s memories. In a world that’s crumbling around him, he’s obsessed with tracking down his missing lover, Mae.

The cast for this is ridiculous. Hugh Jackman and Rebecca Ferguson star as Nick and Mae. Thandiwe Newton, Cliff Curtis, Marina de Tavira, and Daniel Wu also star.

Writer-director Lisa Joy co-created, writes, and directs on “Westworld”. Before that, she wrote on “Pushing Daisies” and “Burn Notice”.

You can watch “Reminiscence” on HBO Max.

Reefa (HBO Max)
directed by Jessica Kavana Dornbusch

Israel ‘Reefa’ Hernandez-Llach is a Colombian immigrant in Miami. It’s his last summer before going to college in New York on an art scholarship. Before he can get there, he suffers an act of police terrorism.

The film is based on actual events, where Israel was beaten and murdered by Miami Beach Police in 2013. Officers chased him for blocks before beating and tasering him for spray-painting graffiti in an area that’s a popular tourist destination in large part because of the work of artists like him. The eventual wrongful death settlement cost the police department a mere $100,000.

Writer-director Jessica Kavana Dornbusch is the child of Uruguayan immigrants. This is her first feature film since 2006’s “Love and Debate”.

You can watch “Reefa” on HBO Max, or rent it on Amazon, Google Play, Redbox, or Vudu.

Out of My League (Netflix)
directed by Alice Filippi

In this Italian film, Marta is an orphan coping with a fatal diagnosis. Her one dream is for a beautiful man to fall in love with her.

Director Alice Filippi has been an assistant director on “Hannibal”, “Spectre”, and “Inferno”. This is her first feature.

You can watch “Out of My League” on Netflix.

Habit (VOD)
directed by Janell Shirtcliff

A trio of drug dealers lose both the money and the drugs. Their only way out is to pretend that they’re nuns. “Habit” continues lead Bella Thorne’s interest in leading genre comedies and satires.

This is writer-director Janell Shirtcliff’s first feature.

You can rent “Habit” on Redbox.

Take a look at new shows + movies by women from past weeks.

If you like what you read on this site, consider subscribing to Gabriel Valdez’s Patreon. It helps with the time and resources to continue writing articles like this one.

New Shows + Movies by Women — August 13, 2021

I was worried when I only found three projects combined over the last two weeks. Was the pandemic’s impact on productions finally being felt by streaming platforms? I hoped it was just an early August slowdown and that seems to be proving out. This week sees five new series by women (plus one I missed last month) and five new films by women making it to streaming services.


AlRawabi School for Girls (Netflix)
directed by Tima Shomali

Outcasts at an all-girls school in Jordan plot to get even with their bullies, but who the outcasts and bullies are is constantly shifting.

Tima Shomali directs the series. Shomali broke through as a writer and actress on YouTube series “Bath Bayakha”. It allowed her to circumvent an Arabic comedy world that (much like our own) can limit opportunities for women.

You can watch “AlRawabi School for Girls” on Netflix.

Brand New Cherry Flavor (Netflix)
co-showrunner Lenore Zion

Lisa Nova is an awesomely named director in 1990 Los Angeles. She wants revenge on a producer who wronged her. Enter Boro, played by Catherine Keener. She offers vengeance of the supernatural kind.

Lenore Zion showruns with Nick Antosca. Zion has written on “Ray Donovan” and written and produced on “Billions”.

You can watch “Brand New Cherry Flavor” on Netflix.

The Beast Must Die (AMC+)
showrunner Gaby Chiappe

A mother ingratiates herself with the family of the man responsible for her son’s death. Once accepted into his home, she plots her vengeance.

Writer and showrunner Gaby Chiappe was a co-writer of last year’s “Misbehaviour”. This is one I missed last month.

The trailer mentions BritBox, but that’s only in the UK. You can watch “The Beast Must Die” in the U.S. on AMC+.

The Crowned Clown (Netflix)
directed by Kim Hui-Won

Amid uprisings and assassination attempts, a king replaces himself with a performing clown who looks nearly identical. Now his replacement has to avoid murder attempts and giving away his real identity.

This is based on “Masquerade”, a Korean movie that is inspired by Mark Twain’s “The Prince and the Pauper”.

Director Kim Hui-won is one of South Korea’s best series directors. Fresh off the lauded “Vincenzo”, she’s currently attached to a Korean adaptation of “Little Women”. “The Crowned Clown” actually preceded “Vincenzo”, following her well regarded “Money Flower”.

You can watch “The Crowned Clown” on Netflix.

Fantasy Island (Fox)
showrunners Elizabeth Craft, Sarah Fain

The 70s drama returns in a new form. Rather than a reboot, it’s a soft continuation of the original, which features an island that grants people’s desires for a price.

Elizabeth Craft and Sarah Fain run the show. They first worked together on “The Shield”, and since have written and produced on “The 100” and “The Fix”.

You can watch “Fantasy Island” on Fox. New episodes air Tuesdays.

The Great Jahy Will Not Be Defeated (Crunchyroll)
directed by Mirai Minato

A demon finds herself transported to the real world in this anime series. The only problem is that she arrives without any of her powers.

Mirai Minato has been prolific in the last two years, directing series like “Bofuri: I Don’t Want to Get Hurt, So I’ll Max Out My Defense” and “Our Last Crusade or the Rise of a New World”.

“The Great Jahy Will Not Be Defeated” is simulcast in the U.S. on Crunchyroll. New episodes arrive Saturdays as they air in Japan.


CODA (Apple TV)
directed by Sian Heder

Ruby is the only hearing member in her family. She helps them with their business, but wants to pursue music school.

The deaf characters are played by deaf actors. Actor Marlee Matlin threatened to drop out when financiers attempted to cast hearing actors in their roles. Early reviews have indicated that the film approaches cultural deafness inclusively.

Writer-director Sian Heder has a hell of a resume. She’s written on “Orange is the New Black” and “Men of a Certain Age”, and directed on “The Path” “Orange is the New Black”, and “GLOW”.

You can watch “CODA” on Apple TV.

Together Together (Hulu)
directed by Nicole Beckwith

A man in his 40s wants a child, but he doesn’t have a partner. A woman in her 20s becomes the gestational surrogate. The two become close friends. Ed Helms and Patti Harrison star. The supporting cast is also pretty strong, including Tig Notaro, Fred Melamed, and Rosalind Chao.

Writer-director Nikole Beckwith also wrote and helmed Saoirse Ronan-starrer “Stockholm, Pennsylvania”.

You can watch “Together Together” on Hulu, or see where to rent it.

The Cloud in Her Room (MUBI)
directed by Xinyuan Zheng Lu

A woman returns home for a spring festival. Her mother and father have both pursued new lives, separate from each other. Zhao Muzi feels both comfort and out of place in the town where she grew up. The different roles she plays are reflected in the fragmented nature of the film.

This is the first feature for writer-director Xinyuan Zheng Lu.

You can watch “The Cloud in Her Room” on MUBI.

Bleed with Me (Shudder)
directed by Amelia Moses

Two best friends get away to a secluded cabin in the dead of winter. One becomes convinced the other is stealing her blood.

This is the first feature for writer-director Amelia Moses.

You can watch “Bleed with Me” on Shudder.

Bloodthirsty (Shudder)
directed by Amelia Moses

And this is the second feature from Moses: Grey keeps having visions of being a wolf. She’s invited to work with a music producer at his secluded mansion in the woods. She brings a friend along for safety, but as she works, she begins to transform into a werewolf.

Amelia Moses has worked a variety of crew positions in horror – set designer, cinematographer, editor, writer, and now director.

You can watch “Bloodthirsty” on Shudder, or rent it on Google Play or Vudu.

Take a look at new shows + movies by women from past weeks.

If you like what you read on this site, consider subscribing to Gabriel Valdez’s Patreon. It helps with the time and resources to continue writing articles like this one.

New Indian Shows + Movies by Women

Earlier this year, CNN’s Diksha Madhok reported that services like Netflix and Amazon have offered women filmmakers in India a platform they’re often denied within the country’s own film industry. Madhok stressed that India’s increasingly autocratic government has begun threatening many filmmakers on these services with imprisonment and fines.

Much of this is due to Indian women filmmakers focusing on films that criticize rape culture. Many are based on rapes and murders of women that have become high-profile news stories, and depict the failure of government and police to respond properly or with accountability.

Other criticisms that have resulted in women filmmakers being threatened include presentations of Hindu-Muslim romances. Political firestorms have also resulted from how religious imagery is used, or the inclusion of nudity. Madhok’s article discusses both women and men filmmakers, but highlights the particular plight and threat involved in topics that women filmmakers have very actively pursued.

India is hardly the only country where women filmmakers face issues like these, but right now it presents a huge number of potential viewers for streaming services. Those streaming services often decide that it’s in their immediate financial interests to simply adhere to what a government requires in order to have access to those viewers. Streaming services will very often choose market access over equality.

I’ve been meaning to compile this article for a while, so I want to take a break from what I normally write about to feature this. It’s a slow week for new projects overall, and that makes a great opportunity to go back and look at new Indian series and movies directed by women. The more interest there is in other countries for Indian films made by women, the more streaming services will continue to support their projects despite the Indian government’s interference.

These are several that I’ve featured in the last year. Find one that sparks your love for stories, and please give it a try:


Bhaag Beanie Bhaag (Netflix)
directed by Debbie Rao

An aspiring stand-up comic pursues her dream job despite the disapproval of her parents. Reviews from India have been pretty favorable.

Beware heavy user brigading on review sites. There’s early upset that the show shares broad similarities to “The Marvelous Mrs. Maisel”. Apparently only one woman in the entire world has a story to tell about double-standards in the stand-up comedy industry, and having a second woman tell one that takes place 60 years later from the complete other side of the world is too frequent. I’m not sure what the logic is – that women could only possibly face bigotry in the stand-up industry once every 70 years globally? Point is: review brigading would be silly if it wasn’t so damaging, and if you’re interested in this, do what you like, watch it, and be careful about how much credence you lend user reviews on places like IMDB and Metacritic.

“Bhaag Beanie Bhaag” is directed by Debbie Rao. She’s directed on a few Indian series, including the very well received “Better Life Foundation”, “Pushpavalli”, and India’s version of “The Office”.

You can watch “Bhaag Beanie Bhaag” on Netflix.

Masaba Masaba (Netflix)
showrunner Sonam Nair

Masaba Gupta is an Indian fashion designer. Her mother is prolific Indian actress Neena Gupta. “Masaba Masaba” stars the two of them in a comedy where they portray…themselves. It’s entirely scripted and framed as a narrative comedy, so there’s no reality TV element here. The characters the two portray are simply fictionalized versions of themselves.

Showrunner Sonam Nair has written and directed on a few different Indian TV series.

You can watch “Masaba Masaba” on Netflix.


Kaali Khuhi (Netflix)
directed by Terrie Samundra

Shivangi’s family moves to a rural village to look after her grandmother. Soon enough, she spies strange occurrences, even as residents of the village wind up dead. What’s a little girl to do but unravel a supernatural mystery?

This is Terrie Samundra’s first feature film.

You can watch “Kaali Khuhi” on Netflix.

Bombay Rose (Netflix)
directed by Gitanjali Rao

A deaf, orphan boy loses his job. A group of workers whisper about unionizing. An English teacher sets the table for her late husband every night. A Muslim man falls for a Hindu woman, each struggling to make ends meet. A single rose connects a city full of characters in a hand-painted animation that took 60 artists a year-and-a-half to make.

The absolutely awe-inspiring feat was helmed by writer, director, and editor Gitanjali Rao. This is her first feature animation, but her previous shorts “Printed Rainbow” and “TrueLoveStory” have earned praise and awards at Cannes and other festivals.

You can watch “Bombay Rose” on Netflix.

Cargo (Netflix)
directed by Arati Kadav

People who pass away appear on a spaceship, where a man named Prahastha takes care of them. He prepares them to move to the next life. He’s been doing this alone for a long time when an assistant arrives. It’s Yuvishka’s job to learn everything he knows.

This is director Arati Kadav’s first feature. In interviews, she’s described the film as fusing Indian mythology to Eastern sci-fi. She’s cited her influences as science-fiction writers Jorge Luis Borges and Ted Chiang, writers who have fused the abstracted edge of the genre to some of its most human moments.

You can watch “Cargo” on Netflix.

Dolly Kitty and Those Twinkling Stars (Netflix)
directed by Alankrita Shrivastava

Dolly is a wife and mother who is trying to hide a secret. Her cousin Kajal has just moved to the city. Kajal ends up working at a phone sex parlor under the name Kitty. The two alternately grow close and clash in their off-hours, winding a tricky path of trust and wariness of the other’s place in their lives.

Writer-director Alankrita Shrivastava has hit the ground running in recent years. Her “Lipstick Under My Burkha” won award after award on a major festival circuit, and she wrote nine episodes and directed two for Amazon original series “Made in Heaven”.

You can watch “Dolly Kitty and Those Twinkling Stars” on Netflix.

Bulbbul (Netflix)
directed by Anvita Dutt

Set in India during the 1880s, a 5 year old girl named Bulbbul is married off to a man decades her elder. After several years, the man’s younger brother Satya, whom she initially assumed to be her intended husband, is sent to London. Satya returns to find his family missing, and Bulbbul the only remaining survivor. He’s told his family was taken by a witch, just as some villagers have been.

I watched and reviewed this last year. It’s a deeply gothic inversion of horror with a message and aesthetic I loved, and a superb performances by Tripti Dimri and Paoli Dam. The truth is that there’s no horror that can match the ones people enact on each other, and the film makes its horror a hero. To paraphrase writer-director Anvita Dutt, “Bulbbul” is less about what happens, which you can infer pretty early on in the film. It’s more about how it happens, and why it’s cathartic.

Dutt has primarily worked as a screenwriter and songwriter on Indian films. “Bulbbul” is her directorial debut.

You can watch “Bulbull” on Netflix.

Shakuntala Devi (Amazon)
directed by Anu Menon

Shakuntala Devi was someone who could calculate just about anything in her head. She became known as a human computer, and demonstrated her ability for crowds. She later became a writer in India. This included what’s considered the first study of homosexuality in India, one that argued for its decriminalization. She passed away in 2013. The film is an energetic biographical take on her life.

Writer-director Anu Menon has come to prominence more recently in the Indian film industry.

You can watch “Shakuntala Devi” on Amazon.

Tribhanga (Netflix)
directed by Renuka Shahane

“Tribhanga” follows women of three different generations in India, and tells the stories of how each raised the next. The title is derived from the name of a dance pose that’s often described as simultaneously beautiful and imperfect.

The film was originally envisioned as a smaller production, but gained momentum (and a Netflix deal) as major producers joined.

Director Renuka Shahane is a popular Indian actress. This is only her second film listed as director after 2009’s well-received “Rita”.

You can watch “Tribhanga” on Netflix.

Guilty (Netflix)
directed by Ruchi Narain

A songwriter’s boyfriend is accused of rape. What follows plays out both on a personal level and in the media. It’s a bit difficult to get as much information about the film as I’d like, but it’s supposed to look into aspects of victim-blaming.

It’s advertised along the lines of a thriller over whether the accusation is real or not. That gives me some pause. I don’t know how it intends to handle an accusation like this. I’m wary of the potential of a twist that might undermine belief in the victim, though this worry could be unfounded just because of the “thriller” nature of how it’s being advertised.

You can watch “Guilty” on Netflix.

Take a look at new shows + movies by women from past weeks.

If you like what you read on this site, consider subscribing to Gabriel Valdez’s Patreon. It helps with the time and resources to continue writing articles like this one.