by Gabriel Valdez
“So also faith by itself, if it does not have works, is dead.”
“Now, we are feeling what not having hope feels like.”
– Michelle Obama
After Donald Trump was elected, several people sought me out because of the work I’ve done in politics. They told me, “I’m willing to die opposing him.” I told them that attitude made them useless.
Show up to a march with the idea that you’re willing to die, and you’ll see everything that happens in that light. You’re so focused on the idea of a noble, meaningful, romantic act of sacrifice…that you won’t even think about protecting the person next to you. You become so obsessed with fighting something that you forget that you’re there to save something.
Who do you think builds something? The one there to nobly sacrifice themselves, or the one there who doles out water, who helps the elderly who grow tired, who communicates from the front of the march to the back what to look out for, or who is ready with first aid supplies in case of violence.
I don’t want someone willing to die. I want someone willing to make sure the person next to them lives.
Do you think the people who have died in marches wanted to? They wanted to live. They were scared for their lives. That’s what makes their sacrifices meaningful. They were there for a purpose. They were there to do work. They were there to hold each other up in an effort that would have been impossible on their own.
Resistance is not a romantic thing. It’s not built on some great act of sacrifice unique to you. It’s not an identity. In fact, it’s not about you. Resistance, and faith, and hope are all built from the same single thing: you show up day after day and you do the work of it.
That work is sometimes grueling and heartbreaking. It wears you down. It tests your spirit. It tests your boundaries. It can break you. There is often no witness for it, especially when the work is performed by women or people of color (or LGBTQ, or the disabled). There is often no reward.
You do the work and it joins with the work of all those around you, and maybe something terrible happens anyway. Was the work useless? Or did you prevent something even more terrible from happening? How do you measure it? How do you assess the amount of work every person did? Often, the only thing you know is that there’s more work to do.
You often feel penned into a corner. How does the universe keep going like this? What use are you? Are you even denting the things you seek to stop? Doesn’t matter. There’s more work, and that work helps people.
“The Last Jedi” is built around being worn thin. It’s built around desperation. It’s built on the back of a Rebellion that has dwindled, but keeps on doing the work.
Many of the heroes willing to sacrifice themselves keep trading on everyone else’s credit. They may come close to death, but as they escape it, it’s others who pay the consequences for their heroism.
“Star Wars” has always relied on building myths, and it’s built some good ones. “The Last Jedi” cares deeply about those myths. It also doesn’t feel beholden to them. It doesn’t feel as if those myths are sacred. In fact, it considers many of those myths downright dangerous.
Myths make us believe that our single heroic action can save the day. And our heroes? Well they’re our saviors. What’s the point of doing all that grueling work day after day if we can just tag a savior in? Hamilton electors, Jill Stein’s recount, Obama’s press conference, the Steele dossier, Mueller, impeachment, Susan Collins for a minute, Jeff Flake for two seconds, Bob Corker for half a breath, all of them saviors at some point since the election.
And yet…somehow we go unsaved.
It’s almost as if the work is up to us.
Some of these things have produced useful results, and some might yet, but only if we do the work that gives them the space to make a change. This is what “The Last Jedi” is about. It’s about persisting, about not putting all our hope in saviors, and not putting faith in our noble ideas of romantic sacrifice. It’s about enduring. There’s sacrifice here, but the only meaningful sacrifice is that which saves someone else. Otherwise, it’s not really a sacrifice, is it?
We find ourselves in the face of a moment that threatens to overwhelm us. As we grow tired, we grow separate, we lose our ability to trust – not just in each other, but that what we’re doing makes a difference. We rebel not just against them, but against each other. We do the work of breaking ourselves for them. And that’s the strategy of how they win, how they erase democracy. They do so by tiring us, by making us grow lonely and hopeless because each of us begins thinking we’re willing to die for something, instead of thinking we’re willing to keep on doing the work day after day.
If you came here for a review, “The Last Jedi” is superb. Writer-director Rian Johnson takes the style and filmic grammar of all the other “Star Wars” entries, even the prequels, and folds them into what feels like an entire trilogy’s worth of story. There are beautiful moments here that feel like still pieces of art, planets that feel built from impressions of emotion. There is a deep melancholy to the film, and a resilient hope.
Yet it acknowledges from the first seconds that “Star Wars” is silly, and that maybe by not adhering to the strict orthodoxy expected of it, it can still be a flexible, meaningful place to tell stories. It’s rare that a film can achieve bleak despair and steady silliness, a tragic reality and a determined irreverence.
It’s not a perfect film, but I think the perfect “Star Wars” film that it could be would be something far lesser.
“The Last Jedi” is a film that can feed a certain soul, one that’s doing the work and growing weary, and feeling more distant from all the other souls doing the work and growing weary.
More than anything else, “The Last Jedi” establishes what it feels like not to feel hope yet to create it, to have your expectations of saviors undermined and realize the power you loaned them is your own. It makes you feel vulnerable and uncomfortable and at risk because you always were, but now you’re doing something about it. It also reminds us that faith in saviors, if it does not have the works or the work behind it, is meaningless.
Go see this thing. Go persist and be resilient.
And remember you’re not alone. The work you do is a spark that carries, that we’re all trying to feed, and our little corner of the universe is in the mood for light.
The feature image of Daisy Ridley as Rey is from Cosmic Book News here.
7 thoughts on “The Work That’s Never Witnessed — “Star Wars: The Last Jedi””
Reblogged this on Meanderings of a Tellurian Metaphorist.
If you’re right (and you probably are), maybe this is the movie we needed in 1977 when what we thought (or were told) we needed was the movie that was actually released that year.
But even in the Year of Punk, many of us weren’t quite in a frame of mind to feel resistance was needed, what with the Jimmy Carter honeymoon and all. Maybe 1982 (when the movie we got was Excalibur), or 1969.
Well said. My first thought on seeing the movie was, “traditional male courage vs. traditional female courage – which survives to fight another day?”
“”Star Wars” has always relied on building myths, and it’s built some good ones. “The Last Jedi” cares deeply about those myths. It also doesn’t feel beholden to them.”
Um, with all due respect, baloney!
Every single point needing consideration, development, explanation is expunged. It is trivialized, burnt down, hsnd-waived away. This is WHY soamy fans are pissed, because he gave ZERO. consideration to the history and mythology! None whatsoever!
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